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SOURCE:   Philology. Theory & Practice. Tambov: Gramota, 2013. № 9. Part 2. P. 62-65.
SCIENTIFIC AREA: Philological Sciences
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HISTORY OF "BOURGEOIS TRAGEDY" GENRE DEVELOPMENT IN ENGLAND IN THE XVIII TH CENTURY

Gallyamova Mariya Sergeevna
Magnitogorsk State Technical University named after G. I. Nosov


Abstract. The article is devoted to determining the features of "bourgeois tragedy" genre, its place and role in the history of English literature. In order to reveal the genre model the author undertakes the attempt to present the typological classification and give the scientific interpretation. The basis for the study of this question is the works of playwrights of the XVIII th century. Literary criticism studies the materials, which for the most part are little known in domestic science, and cover their creative works, and the reception of aesthetic views.
Key words and phrases: новаторство, мещанская трагедия, сентиментальная комедия, мелодрама, белый стих, проза, innovation, bourgeois tragedy, sentimental comedy, melodrama, blank verse, prose.
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References:
  1. Gallyamova M. S. Problema spetsifiki zhanra "meshchanskaya tragediya" v angliiskoi literature nachala XVIII veka // Yazyk. Slovesnost'. Kul'tura: retsenziruemyi nauchnyi zhurnal. Noginsk, 2012. Vyp. 2-3. S. 57-75.
  2. Baugh A. C. A Literary History of England. N. Y., 1948. 1123 p.
  3. Bernbaum E. A Guide through the Romantic Movement. N. Y., 1949.
  4. Bernbaum E. The Drama of Sensibility. A Sketch of the History of English Sentimental Comedy and Domestic Tragedy, 1696-1780. Gloucester: (Mass.) Smith, 1958. 288 p.
  5. More H. The Fatal Falsehood \\ The Works of Hannah Moore. N. Y., 1841.
  6. Nicoll A. Theory of Drama. L., 1931. 216 p.
  7. Sturgess K. Three Elizabethan Domestic Tragedies. Baltimore, 1969. P. 17-18.
  8. Ward A. W. A History of English Dramatic Literature to the Death of Queen Anne. London, 1899. Vol. II.

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