A FACE AND A MASK IN M. I. TSVETAEVA’S LYRIC POETRY
Bozhkova Galina Nikolaevna, Shabalina Nadezhda Nikolaevna
Elabuga Branch of Kazan State University
Abstract. The paper made an attempt to reveal the meaning and functions of a face and a mask in M. I. Tsvetaeva’s poetical world. The analysis allowed drawing the following conclusions: a mask in M. I. Tsvetaeva’s lyric poetry not always closes the real face, on the contrary, it enables to reveal the genuine, original one. Transforming the lyrical heroine, a mask represents an inseparable liaison with her wishes. A mask in M. Tsvetaeva’s poetry appears on the level of subject and image and performs the suggestive, meditative and nominative functions.
Key words and phrases: маска, лицо автора, лирика М. И. Цветаевой, театральность, карнавализация, отстранение, двойничество, функции литературной маски, медитативная, суггестивная, номинативная функции масок, mask, face of the author, M. I. Tsvetaeva’s lyric poetry, theatricali
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