FUNCTIONING OF GENRE FORMATIVE MECHANISMS OF A "CRUEL" ROMANCE
Yagubov Boris Alekseevich
Maxim Gorky Literature Institute
Abstract. The article examines the problems connected with such genre formations as "cruel" romance, song and city ballad. Basing on a postulate according to which the border between these relational but nonidentity genre formations is flexible the author, taking as a material the Soviet song "Light" to words from M. V. Isakovsky, shows the process of transforming a lyrical song into a "cruel" romance. Such transformational mechanisms, according to the author, are also the basis for numerous folkloric adaptations of popular compositions.
Key words and phrases: "жестокий" романс, русская песня, М. В. Исаковский, "Огонек", "В лесу прифронтовом", песни-переделки, "женский" и "мужской" варианты песни, "cruel" romance, Russian song, M. V. Isakovsky, "Light", "In the frontier forest", songs-adaptations, "female" and "male" versions of a song
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