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SOURCE:    Philology. Theory & Practice. Tambov: Gramota, 2016. № 12. Part 3. P. 34-39.
SCIENTIFIC AREA:    Philological Sciences
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Makarova Svetlana Anatol'evna

Abstract. The article deals with biographical facts, epistolary sources, artistic works which can reveal the unusual nature of A. A. Fet and P. I. Tchaikovsky’s creative dialogue, leading to the understanding of peculiarities of "musical" poetry and its embodiment in the vocal art of the second half of the XIX century. The author investigates in detail the aesthetic conception of "pure art" master and the prosodic views of composer-melodist’s genius, as well as their innovative search in the field of accentual-syllabic metre-rhythm. The article concludes about the boundary position of Fet’s "musical" lyrics and Tchaikovsky’s lyrical romances, heralding the modernism era.
Key words and phrases: эстетические взгляды, теория силлабо-тонического стихосложения, напевный стих, романсная композиция, метро-ритмические эксперименты, смешанные метры, "музыка" стиха, вокальные жанры, aesthetic views, theory of accentual-syllabic versification, melodious verse, romancing composition, metre-rhythmic experiments, miscellaneous meters, "music" of verse, vocal genres
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