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SOURCE:   Philology. Theory & Practice. Tambov: Gramota, 2016. № 4. Part 3. P. 50-53.
SCIENTIFIC AREA: Philological Sciences
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Skorokhod'ko Yuliya Stanislavovna
V. I. Vernadsky Crimean Federal University

Abstract. In the article the image of piano as one of Victorian images-symbols in neo-Victorian art is considered, the place of the piano image in the system of images in J. Campion’s film "The Piano" is identified. As a result of the research the author concludes that the piano image in J. Campion’s film performs at least three functions: it causes association with the English way of life in the XIX century, it is of interest for neo-Victorian consciousness as one of the elements of the Victorian value system ??and it takes the key position in the system of the film images.
Key words and phrases: викторианство, неовикторианство, неовикторианское кино, викторианский образ-символ, фортепиано, женский вопрос, колониальная проблематика, Victorian era, neo-Victorianism, neo-Victorian movie, Victorian image-symbol, piano, women’s issue, colonial subject matter.
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  4. Knight C. Ada’s Piano Playing in Jane Campion’s The Piano: Genteel Accomplishment or Romantic Self-Expression? [Elektronnyi resurs] // Australian Feminist Studies. 2006. Vol. 21. No. 49. March. P. 23-34. URL: http://www.research. (922f3db3-7563-4ebd-885b-bc01b9db159f).html (data obrashcheniya: 08.09.2015).
  5. The Piano / dir. by J. Campion; starring: H. Hunter, A. Paquin, H. Keitel. Paddington - Paris: Jan Champion Productions; CIBy 2000, 1993. [Film].

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