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SOURCE:	Philology. Theory & Practice. Tambov: Gramota, 2016. № 6. Part 2. P. 177-179.
SCIENTIFIC AREA:	Philological Sciences
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I. MURDOCH‘S CONCEPTUAL WORLD IN THE ASPECT OF TRANSLATION

Epshtein Ol'ga Viktorovna
Orenburg State Pedagogical University

Abstract. The article discovers the meaning of the concept "author’s conceptual metaphor" which transforms the habitual conceptions of reality due to the author’s creation of a new subjective meaning. The paper analyzes in detail the basic cognitive metaphors in I. Murdoch’s creative work as a representation of the author’s conceptual worldview and the peculiarities of their translation into Russian. The relevance of the problem under study is conditioned by the continuous tendency to improve the translation techniques and by the necessity to study the principles of functioning and formation of the conceptual system.

Key words and phrases: художественная картина мира, авторская художественная картина мира, концептуальная метафора, авторская метафора, образ, приемы перевода, artistic worldview, author’s artistic worldview, conceptual metaphor, author’s metaphor, image, translation techniques

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References:

Kassirer E. Sila metafory // Teoriya metafory. M.: Progress, 1990. S. 33-43.
Merdok A. Son Bruno [Elektronnyi resurs]. URL: http://knigosite.org/library/books/94878 (data obrashcheniya: 23.03.2016).
Pishchal'nikova V. A. Metafora kak sposob predstavleniya lichnostnogo smysla // Yazykovoe bytie cheloveka i etnosa: psikholingvisticheskii i kognitivnyi aspekty. M.: MGEI, 2006. № 11. S. 159-165.
Pishchal'nikova V. A. Psikhopoetika. Barnaul: Izd. AGU, 1999. 176 s.
Murdoch I. Bruno’s Dream. Vintage Classics, 2001. 133 p.
Newmark P. A Textbook of Translation. Harlow: Pearson Education Limited, 2008. 292 p.

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