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SOURCE:   Philology. Theory & Practice. Tambov: Gramota, 2016. 8. Part 1. P. 69-71.
SCIENTIFIC AREA: Philological Sciences
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"THE HISTORY OF A CONTRAOCTAVE" BY B. PASTERNAK AS A SYNTHETIC WORK

Khamenok Vera Ivanovna
Lomonosov Moscow State University


Abstract. The article examines implicit and explicit references to music. The paper draws parallels between "The History of a Contraoctave" by B. Pasternak and "The Poem of Ecstasy" by A. Scriabin, describes dynamic techniques used by B. Pasternak, and considers the problem of polyphony as a system of personages interrelations. The researcher analyzes the meaning of names and the system of leitmotifs, by which B. Pasternak broadens the sphere of the text perception.
Key words and phrases: , , , , , , , , contraoctave, polyphony, leitmotifs, sequence, invention, organ point, cadence, personages names.
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References:
  1. Pasternak B. L. Polnoe sobranie sochinenii: v 11-ti t. M.: SLOVO/SLOVO, 2004. T. 3. Proza / sost. i komment. E. B. Pasternaka i E. V. Pasternak. 632 s.
  2. Pasternak B. L. Polnoe sobranie sochinenii: v 11-ti t. M.: SLOVO/SLOVO, 2005. T. 7. Pis'ma 1905-1926 / sost. i komment. E. B. Pasternaka i M. A. Rashkovskoi. 824 s.
  3. Pasternak B. L. Polnoe sobranie sochinenii: v 11-ti t. M.: SLOVO/SLOVO, 2005. T. 9. Pis'ma 1935-1953 / sost. i komment. E. B. Pasternaka i M. A. Rashkovskoi. 784 s.
  4. Entsiklopedicheskii slovar' F. A. Brokgauza i Efrona [Elektronnyi resurs]. SPb.: Brokgauz-Efron, 1890-1907. URL: http://dic.academic.ru/dic.nsf/brokgauz_efron/62166/%D0%9B%D0%BE%D0%BB%D0%BB%D0%B0%D1%80%D0 %B4%D1%8B (data obrashcheniya: 06.06.2016).

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