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Abstract. The article examines implicit and explicit references to music. The paper draws parallels between "The History of a Contraoctave" by B. Pasternak and "The Poem of Ecstasy" by A. Scriabin, describes dynamic techniques used by B. Pasternak, and considers the problem of polyphony as a system of personages’ interrelations. The researcher analyzes the meaning of names and the system of leitmotifs, by which B. Pasternak broadens the sphere of the text perception.
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Key words and phrases: контроктава, полифония, лейтмотивы, секвенция, инвенция, органный пункт, каденция, имена персонажей, contraoctave, polyphony, leitmotifs, sequence, invention, organ point, cadence, personages’ names
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Русский
