AXIOLOGICAL SIGNIFICANCE OF O. BOGAYEV’S DRAMATURGY
Meshchanskii Aleksandr Yur'evich, Savelova Lyubov' Anatol'evna
Northern (Arctic) Federal University named after M. V. Lomonosov
Submitted: 17.01.2019
Abstract. The subject of the analysis is the axiological component of the content structure of O. Bogayev’s dramatic texts. The article presents the results of studying the plays "The Russian National Postal Service", "Who Killed Monsieur Dantes?", "Sansara" and "Telefunken". The author’s artistic techniques for depicting changes in the system of values of the modern Russian society are shown. The axiological orientation of O. Bogayev’s drama is of interest for understanding the transformation of interpersonal relations and the formation of a new value vector in the modern society.
Key words and phrases: современная новая драма, творчество О. Богаева, русская литература, российское общество, социально-бытовая проблематика, аксиологический кризис, modern new drama, O. Bogayev’s creativity, Russian literature, Russian society, social issues, axiological crisis
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