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SOURCE:    Philology. Theory & Practice. Tambov: Gramota, 2019. № 9. P. 294-298.
SCIENTIFIC AREA:    Philological Sciences
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https://doi.org/10.30853/filnauki.2019.9.60

SYNESTHESIA IN THE FRENCH FINE ART DISCOURSE

Agapova Ol'ga Vladislavovna
Moscow Higher Combined Arms Command School


Submitted: 22.07.2019
Abstract. The article considers the phenomenon of esthetic synesthesia in the French fine art discourse. The author examines different conceptions of synesthesia and provides illustrative examples of using esthetic synesthesia in fine art discourse. The analysis of the French fine art discourse allows identifying the intra-lingual specificity of synesthetic combinations. Applying the component analysis method, the author identifies the basic groups of the French fine art terms, which often serve as nuclear components of synesthetic combinations. Relying on the analysis of the French linguistic material, the researcher proposes a classification considering the types of perception of peripheral modalities of synesthetic combinations.
Key words and phrases: синестезия, эстетическая синестезия, интермодальные ощущения, базовые и периферийные типы ощущений, искусствоведческий дискурс, synesthesia, esthetic synesthesia, inter-modal perceptions, basic and peripheral perceptions, fine art discourse
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