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SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2011. 4. Part 1. P. 138-141.
SCIENTIFIC AREA: Study of Art
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BASIC EDITIONS AND VERSIONS OF CLAUDE-ACHILLE DEBUSSY'S ETUDES FOR PIANO (FROM AUTOGRAPH TO INTERPRETATION)

Portnaya Irina Viktorovna
Russian State Pedagogical University named after A. I. Gertsen


Abstract. The article is devoted to the editions and versions of Claude-Achille Debussy's etudes for piano. The author pays special attention to the analysis of editors' approaches to musical text, to its comparing with preserved and published Debussy's manuscripts and outlines the ways and perspectives of further etudes editing basing on the mastery experience of outstanding modern pianists. The author for the first time presents vast musical and theoretical material which was not published in our country before.
Key words and phrases: , , , , Urtext, , , , , Debussy, etudes, versions, editions, Urtext, piano, musical manuscript, style, interpretation.
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References:
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  4. Debussy Cl. Douze Etudes [Elektronnyi resurs] / edited by Ernst-Gunter Heinemann; fingering: Hans-Martin Theopold; preface: Francois Lesure; published by G. Henle Verlag // Classical Music in Urtext Editions. 1994. URL: http://www.henle.de/index.cfm?open=08
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  9. Debussy Cl. Etudes pour le piano. Fac-simile des esquisses autographes (1915) / introduction de Roy Howat; publications du centre de documentation Claude Debussy. Geneve: Minkoff, 1989. Tome V.
  10. Debussy Cl. 12 Etudes fur Klavier Nach dem Urtext herausgegeben von Zoltan Kocsis - Konemann Music. Budapest, 1998.
  11. Howat R. Claude Debussy: Piano Music. Tall Poppies Records. 1997. Vol. 1.
  12. Howat R. Debussy in Proportion: a Musical Analysis. Cambridge: Cambridge University Press, 1983.
  13. Howat R. Debussy's Piano Music: Sources and Performance // Debussy Studies. Cambridge University Press, 1997. P. 78-107.

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