Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2011. № 7. Part 1. P. 31-34.
Epishin Andrei Sergeevich
Research and Development Institute of Fine Art History and Theory Russian Academy of Arts
Abstract. The author analyzes the public opinion refraction of Alexander Kerensky as a historical figure in the Russian painting of revolutionary era, pays special attention to the three portraits of Alexander Kerensky drawn at the zenith of his political fame in summer of 1917 by Ilya Repin and his follower I. Brodsky and considers the interpretation of the model inherent non-uniqueness in the traditional Russian realistic portrait and the official portrait of the early soviet art.
Key words and phrases: Временное правительство, революционное искусство, раннее советское искусство, Центральный музей революции, Октябрьская революция, передвижники, психологический портрет, официальный портрет, provisional government, revolutionary art, early soviet art, Central Museum of Revolution, October revolution, itinerants, profile, official portrait
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Русский
