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SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2012. № 8. Part 2. P. 110-112.
SCIENTIFIC AREA: Study of Art
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PRINCIPLES OF METRORHYTHMIC ORGANIZATION IN MUSIC OF AMERICAN COMPOSER STEVE REICH

Krom Anna Evgen'evna
Nizhnii Novgorod State Conservatory (Academy) named after M. I. Glinka


Abstract. The author describes the category of musical time and different ways of its metrorhythmic organization in the works of the American composer and minimalist Steve Reich, shows that under the influence of Eastern philosophy the musician formed the conception of composing as infinite musical process organized by means of repetitive technique, and considers all authorial repetitive techniques that allow drawing conclusions about the role of metrorhythm both in Reich's music pieces and in the practice of American musical minimalism in general.
Key words and phrases: Стив Райх, время, метр, ритм, минимализм, паттерн, репетитивная техника, фазовый сдвиг, аугментация, ритмическое конструирование, Steve Reich, time, metre, rhythm, minimalism, pattern, repetitive technique, phase shift, augmentation, rhythmic construction.
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