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SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2012. № 9. Part 2. P. 67-71.
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Evseeva Ekaterina Dmitrievna
State Tretyakov Gallery

Abstract. The author studies the being of fine art works in an artist's studio of the first half of the XIXth century by the example of the paintings, which belonged to the painter I. V. Bugaevskii-Blagodarnyi, for the first time reconstructs the composition of his collection (the works of V. L. Borovikovskii, A. V. Venetsianov, D. G. Levitskii, O. A. Kiprenskii, etc.), and concludes that the collection was not like a museum one, but was closely associated with the creative work of Bugaevskii-Blagodarnyi and with his surroundings. The paintings served as models for the artist's own works (not so much as the originals for imitation, but as the examples of good painting style), and in some cases were memorable. The study of the collection of the paintings, which reverses have a painter's personal wax seal and various inscriptions, raises new questions for the researchers of the Russian painting.
Key words and phrases: картины в мастерской художника, собирательство, история бытования картин, портретная живопись конца XVIII-первой половины XIX века, надписи на оборотах картин, именные сургучные печати, копирование с живописного оригинала, малый мастер русского пор, paintings in artist's studio, collecting, history of paintings being, portrait painting of the end of the XVIIIth - the beginning of the XIXth century, inscriptions on reverses of paintings, personal wax seals, imitation of original .
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