Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2013. № 11. Part 2. P. 197-200.
LEIT-THEMATISM AS FACTOR OF DRAMATURGY OF F. M. DOSTOEVSKY’S NOVELS FILM INTERPRETATIONS
Tsitsishvili Yuliya Grigor'evna
Krasnodar State University of Culture and Arts
Abstract. The article is devoted to the analysis of the sound palette of F. M. Dostoevsky’s novels film interpretations, in the course of which the role of musical leit-thematism is revealed, its place in dramaturgy, as well as the influence on the revelation of the ideological conception of film interpretations are considered. The types of leit-thematism are distinguished, and their hierarchical sequence and specificity are determined. The author comes to the conclusion that the procedural character of the ideas of F. M. Dostoevsky’s novels is represented in the susceptibility of film interpretations leit-thematism to transformation, as well as in its qualitative transition from one dramaturgic type to another.
Key words and phrases: драматургия, киноинтерпретация, лейттематизм, медиатекст, музыка кино, принципы оперной драматургии, процессуальность, dramaturgy, film interpretation, leit-thematism, mediatext, film music, principles of operatic dramaturgy, procedural character
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