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SOURCE:    Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2013. № 12. Part 1. P. 87-89.
SCIENTIFIC AREA:    Philosophical Sciences
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Kondrat'eva Evgeniya Viktorovna
National Research Tomsk Polytechnic University

Abstract. This article is devoted to the analysis of the conceptions of the leading representatives of phenomenology in aesthetics (N. Hartmann, R. Ingarden, M. Dufrenne) concerning the interpretation of painting work structure as an aesthetic object. The multi-layered structure of picture is considered, as it is one of its key features as an aesthetic object, which provides the richness of meaning and the expression of painting work as a whole. In addition, the comparison of these authors’ ideas about the structure of painting with artistic practice is presented.
Key words and phrases: живопись, феноменология, Гартман, Ингарден, Дюфрен, многослойная структура, painting, phenomenology, Hartmann, Ingarden, Dufrenne, multi-layered structure
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  2. Ingarden R. Issledovaniya po estetike. M.: Izd-vo inostrannoi literatury, 1962. 572 s.
  3. Khanin D. M. Esteticheskaya kontseptsiya Romana Ingardena i ee analiz v sovremennoi estetike // Voprosy filosofii. 1984. № 7. S. 111-119.
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  5. Dufrenne M. The Phenomenology of Aesthetic Experience. Evanston, 1973. 578 p.

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