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SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2013. 12. Part 1. P. 87-89.
SCIENTIFIC AREA: Philosophical Sciences
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STRUCTURE OF PAINTING WORK AS AESTHETIC OBJECT: PHENOMENOLOGICAL ANALYSIS

Kondrat'eva Evgeniya Viktorovna
National Research Tomsk Polytechnic University


Abstract. This article is devoted to the analysis of the conceptions of the leading representatives of phenomenology in aesthetics (N. Hartmann, R. Ingarden, M. Dufrenne) concerning the interpretation of painting work structure as an aesthetic object. The multi-layered structure of picture is considered, as it is one of its key features as an aesthetic object, which provides the richness of meaning and the expression of painting work as a whole. In addition, the comparison of these authors ideas about the structure of painting with artistic practice is presented.
Key words and phrases: , , , , , , painting, phenomenology, Hartmann, Ingarden, Dufrenne, multi-layered structure.
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References:
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  2. Ingarden R. Issledovaniya po estetike. M.: Izd-vo inostrannoi literatury, 1962. 572 s.
  3. Khanin D. M. Esteticheskaya kontseptsiya Romana Ingardena i ee analiz v sovremennoi estetike // Voprosy filosofii. 1984. 7. S. 111-119.
  4. Yakimovich A. K. Dvadtsatyi vek. Iskusstvo. Kul'tura. Kartina mira: ot impressionizma do klassicheskogo avangarda. M.: Iskusstvo, 2003. 491 s.
  5. Dufrenne M. The Phenomenology of Aesthetic Experience. Evanston, 1973. 578 p.

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