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SOURCE:    Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2013. № 12. Part 1. P. 197-200.
SCIENTIFIC AREA:    Study of Art
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Fedorovskaya Natal'ya Aleksandrovna
Far Eastern Federal University

Abstract. The article is devoted to the study of the protagonist’s artistic image of A. L. Webber’s musical "The Phantom of the Opera". It is stated that the change in the appearance of the Phantom in comparison with the original source leads to the transformation of his artistic image as a whole and is aimed at the romantization of the character. The mask worn by the hero acts as the key element of his appearance, it has symbolic meaning and is actively manifested in stage action.
Key words and phrases: "Призрак Оперы", мюзикл, Э. Л. Уэббер, художественный образ, маска, "The Phantom of the Opera", musical, A. L. Webber, artistic image, mask
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  1. Andrushchenko E. Yu. Myuzikly E. Lloida-Uebbera kontsa 1960-1980-kh godov: Syuzhety. Zhanr. Stilistika: avtoref. diss.. k. iskusstvovedeniya. Rostov-na-Donu, 2007. 26 s.
  2. Ignat'ev F. I. Endryu Lloid Uebber kak fenomen sovremennoi khudozhestvennoi kul'tury: avtoref. diss.. k. iskusstvovedeniya. SPb., 2004. 25 s.
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  4. Sakharova A. V. Muzykal'nyi teatr Endryu Lloid Uebbera: zhanrovo-stilevye modeli massovoi i akademicheskoi muzyki: avtoref. diss.. k. iskusstvovedeniya. M., 2008. 25 s.
  5. Fedorovskaya N. A. Kontseptsiya "Muzyki Nochi" v myuzikle E. L. Uebbera "Prizrak opery" // Istoricheskie, filosofskie, politicheskie i yuridicheskie nauki, kul'turologiya i iskusstvovedenie. Voprosy teorii i praktiki. Tambov: Gramota, 2012. № 5 (31). Ch. 1. S. 183-187.
  6. Webber A. L., Hart Ch., Stilgoe R. The Phantom of the Opera (piano-vocal score). Parts I-II. N. Y.: RNH, 2010. 303 p.

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