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SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2013. № 12. Part 2. P. 83-86.
SCIENTIFIC AREA: Study of Art
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CHORAL MINIATURE A CAPPELLA OF THE TURN OF THE XIXTH-XXTH CENTURIES IN ASPECT OF RUSSIAN RELIGIOUS PHILOSOPHY IDEAS INTERPRETATION

Illarionova Anna Aleksandrovna
Tambov State Pedagogical Institute of Music named after S. V. Rachmaninov


Abstract. The article pays attention to the choral miniature a cappella development features in Russia at the turn of the XIX th-XX th centuries. The object of the research is the genre of choral miniature without accompaniment considered from the point of view of the specificity of the musical embodiment of the main ideas of the Russian religious philosophy (the messianic role of Russia, the proclamation of the Orthodoxy as the spiritual basis of national revival, conciliarism) in it in the context of the general cultural-historical atmosphere in Russia of the end of the XIX th – the beginning of the XX th century.
Key words and phrases: хоровая миниатюра, поздний романтизм (неоромантизм), русская религиозная философия, славянофилы, соборность, хоровое пение a cappella, православная песенная традиция, choral miniature, late romanticism (neo-romanticism), Russian religious philosophy, Slav.
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