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SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2013. 3. Part 2. P. 152-155.
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Nerovnaya Tat'yana Evgen'evna
Nizhnii Novgorod State Conservatory (Academy) named after M. I. Glinka

Abstract. The author researches one of the earliest and almost forgotten works by D. Shostakovich in the context of his artistic style, tells that the analysis of the First Piano Trio allows tracing convincingly the origins and implementation of the stylistic guidelines that are the most important for the composer: inclination to aphoristic nature and scherzo, the graphics of writing and the theater plasticity of music material, the specificity of lyrics; and concludes that in general the determination of stylistic vectors in Shostakovichs early creative works vividly proves (by the example of youthful Trio) an inextricable link between late-romantic traditions and the ideas of modern art.
Key words and phrases: , , 20- , , , , Dmitrii Shostakovich, piano trio, Russian music of the 1920s, aphoristic nature, scherzo, theatricality.
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