Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2013. № 6. Part 2. P. 191-194.
Khomich Elena Gennad'evna
St. Petersburg State Academic Institute of Painting, Sculpture and Architecture named after I. E. Repin of Russian Academy of Arts
Abstract. The author considers a number of works of landscape painting by K. Somov, in which the artist shows the symbolist vision of the surrounding world, pays attention to musicality as one of the artist’s creative method components, touches upon the subject of the interrelation between painting and music through figurative world perception, through the community of the artistic means of expression (rhythm, tone, time, intonation, etc.), and comes to the conclusion that for K. A. Somov symbolism became a way to reproduce the music of nature in landscape painting.
Key words and phrases: К. А. Сомов, пейзаж, символизм, музыкальность живописи, взаимодействие искусств, зрительный и чувственный образ, музыка природы, K. A. Somov, landscape, symbolism, musicality of painting, interaction of arts, visual and sensual image, music of nature
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