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SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2014. № 1. Part 1. P. 139-143.
SCIENTIFIC AREA: Study of Art
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MUSIC AND STAGE ROWS INTERACTION IN OPERA-PERFORMANCE (BY EXAMPLE OF "BORIS GODUNOV" BY M. MUSSORGSKY – A. TARKOVSKY)

Lysenko Svetlana Yur'evna
Khabarovsk State Institute of Arts and Culture


Abstract. The problem of artistic synthesis in opera genre is considered in the article. For the first time synesthetic approach is used for the opera-performance analysis that allows revealing the deep mechanisms of sense generation while transferring musical action to stage one. The considered examples of sound-visual counterpoint allowed observing the process of the sense non-verbal "re-expression" of musical score "Boris Godunov" by M. Mussorgsky in the stage row of the performance by A. Tarkovsky.
Key words and phrases: опера-спектакль, синестетический подход, звукозрительный контрапункт, "Борис Годунов", М. Мусоргский, А. Тарковский, opera-performance, synesthetic approach, sound-visual counterpoint, "Boris Godunov", M. Mussorgsky, A. Tarkovsky.
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