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SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2014. № 3. Part 1. P. 203-205.
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Shchikunova Tat'yana Evgen'evna
Nizhny Novgorod State Conservatoire named after M. I. Glinka

Abstract. In the article the analysis of the musical creative contacts of the great Polish pianist Arthur Rubinstein (1887-1982) with the famous conductors of the XX th century is given. The author suggests the contrastive characteristic of sound material written down by the pianist and his contemporaries. The author of the article for the first time acquaints the Russian readers with the fragments of foreign autobiographic and monographic literature devoted to Arthur Rubinstein by the materials of her own translations.
Key words and phrases: Артур Рубинштейн, жанр фортепианного концерта, анализ звукозаписей, Джон Барбиролли, Даниэль Баренбойм, Arthur Rubinstein, genre of piano concerto, analysis of audio recordings, John Barbirolli, Daniel Barenboim.
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  1. Monsenzhon B. Rikhter. Dnevniki. Dialogi. M.: Klassika – XXI, 2002. 480 s.
  2. Rubinshtein A. Dni moei molodosti, fragmenty // Ispolnitel'skoe iskusstvo zarubezhnykh stran: sb. statei. M.: Muzyka, 1981. Vyp. 9. S. 111-166.
  3. Stravinskii I. Khronika moei zhizni. L.: Gosudarstvennoe muzykal'noe izdatel'stvo, 1963. 276 s.
  4. Shchikunova T. Pianist i ego instrument: k istorii dialoga // Aktual'nye problemy vysshego muzykal'nogo obrazovaniya: nauchno-analiticheskii i nauchno-obrazovatel'nyi zhurnal. N. Novgorod: NNGK im. M. I. Glinki, 2013. № 4 (30). S. 65-69.
  5. Rubinstein A. My Many Years. N. Y: New York, 1980. 545 p.
  6. Sachs H. A Life. N. Y.: Grove Press, 1995. 525 r.

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