Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2015. № 12. Part 4. P. 81-88.
INTERTEXTUAL WORLDS OF JOHANNES BRAHMS: ATTEMPT OF THE PROBLEM STATEMENT
Kornelyuk Tat'yana Aleksandrovna
Far Eastern State Academy of Art
Abstract. The article for the first time in domestic musical science considers the methodological bases of intertextual approach to the music of Johannes Brahms. The author proposes to understand intertextuality as a peculiar "key" to the study and interpretation of composer’s intention in the non-program music of the German composer. The paper discusses the problems of terminology and develops the methodological stages of intertextual approach. The researcher concludes that intertextual approach gives opportunities for more subtle penetration into the composer’s intentions.
Key words and phrases: Иоганнес Брамс, интертекстуальность, диалог, цитата, аллюзия, струнный квартет, симфония, Johannes Brahms, intertextuality, dialogue, quote, allusion, string quartet, symphony
Open the whole article in PDF format. Free PDF-files viewer can be downloaded .
References:
Antonova S. Istorizm muzykal'nogo myshleniya i ego proyavlenie v simfonicheskom tvorchestve I. Bramsa i A. Bruknera: avtoref. diss. … k. iskusstvovedeniya. Nizhnii Novgorod, 2007. 26 s.
Aranovskii M. Muzykal'nyi tekst: struktura i svoistva. M.: Kompozitor, 1998. 344 s.
Bart R. Ot proizvedeniya k tekstu // Bart R. Izbrannye raboty: Semiotika. Poetika / per. s frants. S. N. Zenkina. M.: Progress, 1989. S. 413-423.
Gal' G. Brams. Vagner. Verdi. Tri mastera - tri mira / per. s nem. D. Aleksandrova. M.: Raduga, 1986. 477 s.
Druskin M. Iogannes Brams. M.: Muzyka, 1970. 111 s.
Kats B. Ob intertekstual'nosti poslednei simfonicheskoi temy Bramsa // Vybor i sochetanie: otkrytaya forma: sb. st. k 75-letiyu Yu. G. Kona. Petrozavodsk - SPb.: Muzfond, 1995. S. 102-108.
Kristeva Yu. Bakhtin, slovo, dialog i roman // Frantsuzskaya semiotika: ot strukturalizma k poststrukturalizmu / per. s frants., sost., vstup. st. G. Kosikova. M.: Progress, 2000. S. 427-457.
Medushevskii V. Muzykal'nyi stil' kak semioticheskii ob"ekt // Sovetskaya muzyka. 1979. № 3. S. 30-39.
P'ege-Gro N. Vvedenie v teoriyu intertekstual'nosti / per. s frants. G. Kosikova, V. Lukasik, B. Narumova. M.: LKI, 2008. 240 s.
Rogovoi S. Pis'ma Iogannesa Bramsa. M.: Kompozitor, 2003. 640 s.
Русский
