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SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2016. № 3. Part 2. P. 161-166.
SCIENTIFIC AREA: Study of Art
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RUSSIAN CHAMBER AND VOCAL PERFORMANCE AT THE TURN OF THE XIX-XX CENTURIES

Stepanidina Ol'ga Dmitrievna
L. V. Sobinov Saratov State Conservatory


Abstract. The article analyzes the period of the Russian romance appearance at public concert venues, which conditioned the creation of new types of romance - concert and neo-lyrical ones combining the traditional achievements of chamber lyrics with the opera principles of bel canto . The concert romance formed the repertoire and performing style of the singers. The increasing significance of the artistic image of the piano part in the total score of the romance required the implementation of ensemble tasks in performing art and the emergence of a new profession - pianist-ensemblist.
Key words and phrases: новые типы романса: концертный, неолирический, соединение оперного и камерного композиторского творчества и исполнительского искусства, композиторы-пианисты, профессиональные камерные певцы, ансамблевые задачи, новая профессия: пианист-ансамблист, new types of romance: concert, neo-lyrical ones, combination of composer’s opera and chamber creative work and performing art, composers-pianists, professional chamber singers, ensemble tasks, new profession: pianist-ensemblist.
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