GRAMOTA Publishers suggests publishing your scientific articles in periodicals
Pedagogy. Theory & PracticePhilology. Theory & PracticeManuscript

Archive of Scientific Articles

SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2017. 12. Part 2. P. 112-115.
SCIENTIFIC AREA: Study of Art
To Publish Article in the Journal | To show issue content | To show all articles in section | Subject Index

License Agreement on scientific materials use.

HINDEMITHS DIALOGUE WITH THE FRENCH MUSICAL CULTURE IN THE COMPOSERS PIANO CREATIVITY

Li Mengting
Linui University, The Peoples Republic of China


Abstract. The article analyzes Interlude 3 from the cycle "Ludus tonalis" by P. Hindemith from the position of the style features identification in the composers piano creativity in comparison with the creativity of the French composers (Debussy, Rameau). The task of the analysis is to determine the methods of the authors work with the model: the methods of the source material transformation (changing melodies and dynamics while maintaining the rhythmic pattern), the logic of its development (at the levels of structure and dramaturgy), the features of pianism are considered.
Key words and phrases: , , Ludus tonalis, 3, , , , , , piano music, Hindemith, Ludus tonalis, Interlude 3, French musical culture, Debussy, Rameau, style dialogue, pianism.
Open the whole article in PDF format. Free PDF-files viewer can be downloaded here.

 

References:
  1. Bulycheva A. Obmanchivaya yasnost' poezii rokoko v klavesinnykh p'esakh Fransua Kuperena // Muzykal'naya akademiya. 2001. 3. S. 193-209.
  2. Van Chzhenchzhen. Vtoraya interlyudiya iz tsikla "Ludus tonalis" P. Khindemita: problema stilya i interpretatsii // Aktual'nye problemy vysshego muzykal'nogo obrazovaniya. 2011. 1 (17). S. 42-45.
  3. Korinfskaya N. Model' barochnoi igry v Ludus tonalis P. Khindemita: diplomnaya rabota. N. Novgorod, 2002. 47 s.
  4. Levaya T., Leont'eva O. Paul' Khindemit. M.: Muzyka, 1974. 448 s.
  5. Tsakher I. Fuga kak fenomen muzykal'nogo myshleniya. Betkhoven. Khindemit. Taneev. Shostakovich. M.: Kompozitor, 2005. 240 s.
  6. Hindemith P. A composers world. Schott Musik International. Mainz, 1952; renewed 2000. 221 p.
  7. ???????????? (Chzhan Ksyaomei. Ludus tonalis: k probleme stilya neoklassitsizma. Shankhai, 2010. 56 s.)

To Publish Article in the Journal | To show issue content | To show all articles in section | Subject Index

2006-2021 GRAMOTA Publishers

site development and search engine optimization (seo): krav.ru