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SOURCE:    Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2017. № 12. Part 2. P. 112-115.
SCIENTIFIC AREA:    Study of Art
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Li Mengting
Linui University, The People’s Republic of China

Abstract. The article analyzes Interlude № 3 from the cycle "Ludus tonalis" by P. Hindemith from the position of the style features identification in the composer’s piano creativity in comparison with the creativity of the French composers (Debussy, Rameau). The task of the analysis is to determine the methods of the author’s work with the model: the methods of the source material transformation (changing melodies and dynamics while maintaining the rhythmic pattern), the logic of its development (at the levels of structure and dramaturgy), the features of pianism are considered.
Key words and phrases: фортепианная музыка, Хиндемит, Ludus tonalis, интерлюдия № 3, французская музыкальная культура, Дебюсси, Рамо, стилевой диалог, пианизм, piano music, Hindemith, Ludus tonalis, Interlude № 3, French musical culture, Debussy, Rameau, style dialogue, pianism
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