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SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2017. № 4. P. 36-39.
SCIENTIFIC AREA: Study of Art
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FAIENCE ICONOSTASES IN ORTHODOX CHURCHES: HISTORY AND MODERNITY

Bochkovskaya Vera Igorevna, Grechneva Natal'ya Vladislavovna
Altai State Institute of Culture in Barnaul

Altai State University in Barnaul


Abstract. The article examines the history of faience iconostases origin in Russia at the end of the XIX - the beginning of the XX century. The authors describe the largest ceramic enterprises such as Imperial Porcelain Factory in Saint-Petersburg, Gardner Porcelain Factory, Kiev-Mezhegorsky Faience Factory, Auerbach Faience Factory, ceramic enterprise "M. S. Kuznetsov’s Partnership". The paper identifies peculiarities of faience iconostases production and usage and shows that they are distinguished by solidity, beauty and grace. The researchers analyze architectural and layout peculiarities and symbolism of faience iconostases in temples of the Altai Territory.
Key words and phrases: архитектура, иконостас, алтарь, православный храм, икона, символ, керамика, фаянс, architecture, iconostasis, altar, Orthodox church, icon, symbol, ceramics, faience.
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