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SOURCE:   Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2018. № 4. P. 67-70.
SCIENTIFIC AREA: Philosophical Sciences
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https://doi.org/10.30853/manuscript.2018-4.14

CULTURAL AND PHILOSOPHICAL THEORY OF ART BY P. A. FLORENSKY: CULTURAL AND WORLDVIEW SIGNIFICANCE OF FINE ARTS PERSPECTIVE

Belyaev Dmitrii Anatol'evich, Goryainova Evgeniya Dmitrievna, Skripkin Ivan Nikolaevich
Lipetsk State Pedagogical P. Semenov-Tyan-Shansky University

Lipetsk Cossack Institute of Technology and Management (Branch) of K. G. Razumovsky Moscow State University of Technologies and Management (the First Cossack University)


Submitted: 09.04.2018.
Abstract. The article considers the philosophical definition of art by P. A. Florensky. Separately, the philosophical-cultural and religious meaning of the artistic geometry of art space expressed in direct and reverse perspective is analyzed. The authors reveal the correlation of the artistic perspective of the illusionist orientation of art. The paper emphasizes the essentially symbolic understanding of art, as well as the ontological character of the icon as a sacred guide to real (divine) reality. The conclusion is drawn on the rootedness of art in culture, which is the expression of the metaphysics of spiritual being.
Key words and phrases: Флоренский, философия культуры, прямая перспектива, обратная перспектива, икона, онтологичность искусства, живопись, метафизика культуры, религиозность искусства, Florensky, philosophy of culture, direct perspective, reverse perspective, icon, ontology of art, painting, metaphysics of culture, religiosity of art.
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