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SOURCE:   Manuscript. Tambov: Gramota, 2018. № 11. Part 2. P. 322-326.
SCIENTIFIC AREA: Study of Art
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https://doi.org/10.30853/manuscript.2018-11-2.31

FEATURES OF THE CHINESE PIANO MUSIC OF THE SECOND HALF OF THE XX CENTURY

Abdullina Galina Vadimovna, Sun Ya
Herzen State Pedagogical University of Russia


Submitted: 17.09.2018.
Abstract. The article discusses some features of the piano music of modern China. The authors note the decisive role of the folk song, painting, as well as the Chinese poetry and literature in the formation of China’s piano art, which has an authentic national style. It is emphasized that the elegance of the Chinese classical poetry is reflected subtly in the Chinese music of the early XX century. Many piano works are created by composers on the basis of "gu?hu?" painting. As a result, the paper highlights that compositions based on folk songs and dances, imitating the sound of folk instruments, retain a bright national style, but they also use new devices of compositional techniques that give them modern sounding.
Key words and phrases: фортепианная музыка, Китай, композиторы, народная песня, живопись "гохуа", древняя поэзия, додекафония, современные приемы, образ пастушка, орнаментика, декоративность, piano music, China, composers, folk song, gu?hu? painting, ancient poetry, dodecaphony, modern techniques, image of shepherd boy, ornamentation, decorative effect.
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