MILITARY PARADE IN THE RUSSIAN PAINTING OF THE SECOND QUARTER OF THE XIX CENTURY AS A SYMBOL OF GLORIFICATION OF THE EMPEROR NICHOLAS I: REPRESENTATION OF CLASSICISTIC IDEA IN THE CANVASES OF ROMANTIC ARTISTIC MOVEMENT (BY THE EXAMPLE OF A. I. LADURNER’S AND G. G. CHERNETSOV’S PAINTINGS)
Beiner Ilga Yanovna
Saint Petersburg University of the Humanities and Social Sciences
Submitted: 13.03.2018
Abstract. The article is devoted to identifying the peculiarities of depicting and interpreting military parade in the Russian easel painting of the second quarter of the XIX century. Military parade is considered as a symbol of glorification of the rule of the emperor Nicholas I. The author analyzes the techniques to develop artistic spaces designed in the romantic style but satisfying the classicistic tradition to perpetuate the monarch’s image. A. I. Ladurner’s and G. G. Chernetsov’s canvases depicting the erection of the monument to the autocrat Alexander I on the Palace Square in 1834 serve as the examples of pictorial narration.
Key words and phrases: русская станковая живопись второй четверти XIX века, классицизм, романтизм, военный парад, построение художественного пространства, репрезентация монархической власти, А. И. Ладюрнер, Г. Г. Чернецов, Russian easel painting of the second quarter of the XIX century, classicism, romanticism, military parade, development of artistic space, representation of monarchial power, A. I. Ladurner, G. G. Chernetsov
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