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SOURCE:   Manuscript. Tambov: Gramota, 2019. ¹ 11. P. 310-314.
SCIENTIFIC AREA: Study of Art
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https://doi.org/10.30853/manuscript.2019.11.58

T. S. SADYKOV’S EASEL SCULPTURES OF THE 1950-1960S

Budaichiev Baiyshbek Dakibaevich
National Academy of Arts of the Kyrgyz Republic named after T. Sadykov


Submitted: 10.07.2019.
Abstract. The article analyses the early creative work of T. S. Sadykov, the first national Kyrgyz sculptor. The researcher’s attention is focused on the young artist’s works of the end of the 1950s - the beginning of the 1960s, when under the beneficial influence of the Russian artistic culture (it’s worth mentioning such outstanding artists as S. T. Konenkov, E. F. Belashova, A. T. Matveev) and the Kyrgyz folk art, his artistic career was formed. Analysing T. S. Sadykov’s genre and portrait sculptures, the researcher traces how, enlarging his creative experience, the artist endowed his works with deeper meaning, got more involved with the problems of the whole multi-national Soviet fine art.
Key words and phrases: êóëüòóðà, íàðîäíîå èñêóññòâî, îáùåñòâî, ñòàíîâëåíèå, òâîð÷åñòâî, ðèñóíîê, ãîðû, ïëàñòèêà, òðàäèöèÿ, öåííîñòü, ðàçâèòèå, culture, folk art, society, formation, creative work, drawing, mountains, plastic arts, tradition, value, development.
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