J. HAYDN’S INSTRUMENTAL CONCERTS IN THE CONTEXT OF INTER-GENRE INTERACTION
Akshentseva Veronika Mikhailovna Magnitogorsk State Conservatory (Academy) named after M. I. Glinka
Submitted: 27.03.2019.
Abstract. The article examines the formation processes of J. Haydn’s instrumental concerts in the culturological aspect. The development of the timbre and quantitative instrumental component is analysed in close connection with the music playing practice of that period. The paper considers inter-genre interaction and sociocultural aspects that influenced the genre development. Among them, the author identifies the following ones: musical education, amateur performance, blossom of leisure culture, etc. Crystallization of instrumental groups in J. Haydn’s concerts is considered in relation to the practice of ensemble intoning and concerting established in trio sonata and concerto grosso. Instrumental and orchestral compositions of J. Haydn’s concerts are examined and classified.
Key words and phrases: êîíöåðò, ìóçèöèðîâàíèå, æàíð, èíñòðóìåíòàëüíûé ñîñòàâ, ìåææàíðîâûå âçàèìîäåéñòâèÿ, îðêåñòð, ïðèíöèïû êîíöåðòèðîâàíèÿ, èíñòðóìåíòàëüíûé êîëîðèò, concert, music playing, genre, instrumental composition, inter-genre interaction, orchestra, principles of concerting, instrumental colour.
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