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SOURCE:   Manuscript. Tambov: Gramota, 2019. 8. P. 149-153.
SCIENTIFIC AREA: Study of Art
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https://doi.org/10.30853/manuscript.2019.8.30

VERBAL AND MUSICAL COMPONENTS OF P. I. TCHAIKOVSKYS OPERA CHOIRS IN THEIR INTERACTION (BY THE EXAMPLE OF "MAIDEN CHOIR" FROM "EUGENE ONEGIN")

Kaz'mina Elena Olegovna, Zimnukhova Tat'yana Evgen'evna
Tambov State Musical Pedagogical Institute named after S. V. Rachmaninov


Submitted: 20.05.2019.
Abstract. The article considers the "word and music" problem by the example of "Maiden Choir" from P. I. Tchaikovskys opera "Eugene Onegin". The suggested interdisciplinary (linguistics and musicology) approach to analysing the musical composition helps performers to broaden the semantic field of interpretation process. The researchers attention is focused on the composers linguistic means in interaction with the genre-lexical and structural peculiarities of Pushkins text, which constitutes the originality of the study. While the verbal component of "Maiden Choir" is stylization of a folk song, the musical component expresses the semantics of the poets word and is similar to P. I. Tchaikovskys lyrical romances in genre.
Key words and phrases: . . , . . , " ", , " ", ", ", P. I. Tchaikovsky, A. S. Pushkin, opera "Eugene Onegin", musical semantics, "word and music", "Maiden Choir".
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