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SOURCE:   Manuscript. Tambov: Gramota, 2019. 8. P. 184-188.
SCIENTIFIC AREA: Study of Art
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https://doi.org/10.30853/manuscript.2019.8.37

FORMING THE FOUNDATIONS OF THE RUSSIAN BALLET THEATRE TRADITION (HISTORICAL AND ARTISTIC ASPECTS)

Katysheva Dzhenni Nikolaevna
Saint-Petersburg University of the Humanities and Social Sciences


Submitted: 13.05.2019.
Abstract. The article deals with the origin of the Russian ballet theatre tradition formation and its root stages when the attempt to reveal a heros inner world on the scene by dance and plastic means was undertaken for the first time. Its founders were the first Russian choreographers of Pushkin era I. I. Valberh and A. P. Glushkovsky, and then the tradition development was organically continued by Sh. L. Didlo and J.-J. Perrot. These choreographers work created prerequisites for M. I. Petipas reformative activity, the creator of the classics foundation, the symphonization of dance. The Russian ballets achievements of these historical periods can be successfully used in modern choreography in the disclosure of "inner person".
Key words and phrases: , , , , , art criticism, Russian ballet, tradition origin, A. Pushkins era, dance symphonization.
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