INTERRELATION OF JAZZ AND SOCIO-CULTURAL SITUATION IN THE USA IN THE 1960S
Ogorodova Alena Vladimirovna, Ovcharov Igor' Vladimirovich, Orshanskaya Elena Ivanovna Belgorod State University of Arts and Culture
Submitted: 18.06.2019.
Abstract. The article considers the interrelation of jazz and socio-cultural life of the USA in the 1960s. By the example of hard bop, soul jazz, funk and free jazz, the authors examine the interrelation of the basic socio-political phenomena and jazz styles. The following issues are emphasized: 1) orientation of the 1960s jazz towards the Afro-American folklore symbolizing the Afro-Americans’ racial self-consciousness; 2) application of eastern spiritual practices, which resulted in the integration of elements of the eastern (Indian and Arabic) traditional music; 3) combination of concert performances and political declarations; 4) integration processes aimed to synthesize jazz with academic music and folklore. So, American jazz of the 1960s was closely associated with social, political and cultural life of the country and responded keenly to changes in the people’s worldview.
Key words and phrases: äæàç, ðèòì-ýíä-áëþç, õàðä-áîï, ñîóë-äæàç, ôàíê, ýòíîäæàç, àôðîàìåðèêàíñêèé ôîëüêëîð, ìîëî䏿íûå è ðàñîâûå ïðîòåñòû, ïîëèòèêà, ìîëî䏿íàÿ ñóáêóëüòóðà, äóõîâíîñòü, âîñòî÷íûå êóëüòóðû, jazz, rhythm and blues, hard bop, soul jazz, funk, ethno- jazz, Afro-American folklore, youth and racial protests, policy, youth sub-culture, spirituality, eastern cultures.
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