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Abstract. The article considers ontology and philosophy of ethnic culture, existential choice of a human who assimilates the European modernistic approaches. National theatre makes it possible to predict and simulate this choice. The paper focuses on studying the creative work of Sergey Stanislavovich Potapov, a representative of the new wave of the Yakut stage directors. The region’s sociocultural needs are revealed, their realization through theatrical means is described; stylistic peculiarities of stage direction are identified. For the first time the paper provides a survey of the stage director’s style that determines the personages’ existential choice.
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Key words and phrases: театральный режиссер, экзистенциальный выбор, эстетика театра, национальный театр, Саха театр, Россия, Якутия, этномодерн, мифологическое сознание, этнокультурная модернизация, stage director, existential choice, theatrical aesthetics, national theatre, Sakha theatre, Russia, Yakutia, ethno-modernism, mythological consciousness, ethno-cultural modernization
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Русский
