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SOURCE:   Manuscript. Tambov: Gramota, 2020. 8. P. 204-208.
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Romantic Element in Azon Fattakhs Instrumental Creative Work (by the Example of the Korean Suite and the Lyrical Piece for the French Horn and the Piano)

Chistyakov Roman Vyacheslavovich
The Russian State Specialized Academy of Arts

Submitted: 17.06.2020.
Abstract. The paper aims to identify specificity of Azon (Azantin Nurtynovich) Fattakhs chamber compositions, to reveal their figurative filling and style features. The article examines chamber music genres in the composers creative work: pieces for solo instruments, program cycles. Special attention is paid to analyzing two Azon Fattakhs opuses: the Korean Suite and the Lyrical Piece for the French Horn and the Piano. The researchers attention is focused on their structural peculiarities, specificity of musical language. The author mentions the following typical characteristics of Azon Fattakhs style: dominance of folkloric motives, reliance on tonal and melodic features of the Tatar folklore, observation of romantic harmony principles, tendency for the romantic type in chamber instrumental music. Scientific originality of the study is conditioned by the fact that the researcher analyzes creative work of a composer whose heritage is still poorly studied; the material includes Azon Fattakhs opuses which have not been previously investigated in domestic musicology. The Korean Suite preserved in the draft version is subjected to a comprehensive analysis. The research findings are as follows: the author provides a survey of Azon Fattakhs chamber instrumental works (the analyzed compositions occupy a special place among them), which broadens general understanding of his music.
Key words and phrases: , , , , , , , , Azon Fattakh, Reinhold Gli?re, instrumental creative work, Tatar music, Korean music, chamber compositions, miniatures, composers style.
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