Rents Natalia Viktorovna
University of Pittsburgh, USA
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Список литературы:
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Nineteenth century art: a critical history / ed. Crow T., Nochlin L. London: Thames and Hudson, 2007. 1800 p.
Eisenman S. E. The intransigent artist or how the impressionists got their name // The new painting: Impressionism 1874-1886: exhibition catalogue. San Francisco: Fine Arts Museums; National Gallery of Art Washington, 1986. P. 51-59.
Green N. The spectacle of nature: landscape and bourgeois culture of the nineteenth-century France. Manchester-England: Manchester UP, 1992. 240 p.
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Nord Ph. Impressionists and politics: art and democracy in the nineteenth century. London: Routledge, 2000. 136 p.
Shiff R. Cezanne and the end of Impressionism. University of Chicago Press, 1984. P. 3-52.
Thompson B. Impressionism: origins, practice, reception. London: Thames and Hudson, 2000. 288 p.
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Venturi L. The aesthetic idea of Impressionism // The Journal of Aesthetics and Art Criticism. 1941. Vol. 1. Spring. P. 34-45.