Pan-Art Pedagogy. Theory & Practice Philology. Theory & Practice Manuscript

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ISSUE:    Almanac of Modern Science and Education. 2010. Issue 1-2
COLLECTION:    Study of Art

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IMPRESSIONISM IN CRITICAL LITERATURE: A REVIEW

Natalia Viktorovna Rents
University of Pittsburgh, USA


Submitted: January 25, 2010
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References:
  1. Adamas S. The Barbizon school and the origins of impressionism. London: Phaidon, 1994. 240 p.
  2. Broude N. Impressionism: a feminist reading. New York: Rizzoli, 1991. 192 p.
  3. Clark T. J. The painting of modern life: Paris in the art of Manet and his followers (introduction). London: Thames and Hudson, 1985. P. 3-22.
  4. Nineteenth century art: a critical history / ed. Crow T., Nochlin L. London: Thames and Hudson, 2007. 1800 p.
  5. Eisenman S. E. The intransigent artist or how the impressionists got their name // The new painting: Impressionism 1874-1886: exhibition catalogue. San Francisco: Fine Arts Museums; National Gallery of Art Washington, 1986. P. 51-59.
  6. Green N. The spectacle of nature: landscape and bourgeois culture of the nineteenth-century France. Manchester-England: Manchester UP, 1992. 240 p.
  7. Herbert R. L. Impressionism: art, leisure, and Parisian society. New Haven and London: Yale University Press, 1988. 324 p.
  8. Nord Ph. Impressionists and politics: art and democracy in the nineteenth century. London: Routledge, 2000. 136 p.
  9. Shiff R. Cezanne and the end of Impressionism. University of Chicago Press, 1984. P. 3-52.
  10. Thompson B. Impressionism: origins, practice, reception. London: Thames and Hudson, 2000. 288 p.
  11. Tinterow G., Loyrette H. Origins of Impressionism // Exhibition catalogue of Metropolitan Museum of Art. New York, 1994. 486 p.
  12. Vaisse P. La Troisieme Republique et les peintres. Paris-Flammarion, 1995. 480 p.
  13. Venturi L. The aesthetic idea of Impressionism // The Journal of Aesthetics and Art Criticism. 1941. Vol. 1. Spring. P. 34-45.
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