Pan-Art Pedagogy. Theory & Practice Philology. Theory & Practice Manuscript

Archive of Scientific Articles

ISSUE:    Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Theory & Practice. 2010. Issue 1
COLLECTION:    Philosophical Sciences

All issues

License Agreement on scientific materials use.

FEMINITY PHILOSOPHY IN CHINESE OPERA

Elena Alievna Sarakayeva
Astrahan State University


Submitted: April 20, 2010
Abstract. In the article feminity created and popularized by Chinese opera is considered. Opera was created by playwrights and actors for male audience that is why the generated image of an ideal woman reflected unreal but desirable feminity for men.
Key words and phrases:
гендерная философия
конструкция феминности
кросс-гендерное исполнение
пекинская опера
амплуа «дань»
gender philosophy
feminity construction
cross-gender performance
Beijing opera
dramatic type "Dan"
Reader Open the whole article in PDF format. Free PDF-files viewer can be downloaded here.
References:
  1. Гань Бао. Записки о поисках духов. СПб.: Азбука-классика, 2006. 384 с.
  2. Bawang bieji. Shanghai: Shanghai wenyi chubanshe, 1987. 56 p.
  3. Hou Yushan. Youmeng yiguan bashinian. Beijin: Baowen tong shudian, 1988. 380 p.
  4. Hwang D. H. M. Butterfly. N.Y.: Plume, 1989. 234 p.
  5. Kwok Wah Lau J. Farewell my concubine: history, melodrama, and ideology in contemporary Pan-Chinese cinema // Film quarterly. 1995. № 1 (Autumn). Vol. 49.
  6. Shen Cai. Qianjin ji // Liushizhong qu. Beijing: Zhongguo shuju, 1958. Vol. 2.
  7. Siu Leung Li. Cross-dressing in Chinese opera. Hong Kong: Hong Kong University Press, 2003. 310 p.
  8. Tang Xianzu. Shiwen ji. Shanghai: Shanghai Guji Chubanshe, 1982. 1300 p.
  9. Tian M. Alienation-effect for whom? Brecht's (mis)interpretation of the classical Chinese theatre // Asian theatre journal. 1997. № 2 (Fall). Vol. 14.
  10. Tian M. Male Dan: the paradox of sex, acting and perception of female impersonation in traditional Chinese theatre // Ibidem. 2000. № 1 (Spring). Vol. 17.
  11. Wang Guowei. Xiqu lunwen ji. Beijing: Zhongguo xiqu chubanshe, 1984. 220 p.
  12. Xu Chengbei. Mei Lanfang yu ershi shiji. Beijing: Sanlian shudian, 1990. 280 p.
All issues


© 2006-2025 GRAMOTA Publishing