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NEW NOVEL INFLUENCE ON ALAIN RESNAIS'S EXPERIMENTAL CINEMATOGRAPH
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Vladimir Vyacheslavovich Vinogradov
Department of Film Art Study of All-Russian University of Cinematography named after S. A. Gerasimov
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Submitted:
March 14, 2011
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Abstract.
The article is devoted to the description of the period in the history of cinematograph (the end of the 50s - the beginning of the 60s), connected with the search of the new means of expressing "memory space" on the screen by the example of the French producer Alain Resnais's creativity. Two of his works - "Hiroshima, my love" and "Last year in Marienbad" - are analyzed in this article.
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Key words and phrases:
барокко
экзистенция
«новый роман»
«новая волна»
память
темпоральность
классицизм
baroque
existence
"new novel"
"new wave", memory, temporality, classicism
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References:
- Рене Ален: сборник. М.: Искусство, 1982.
- Робб-Грийе Ален. В прошлом году в Мариенбаде / пер. с франц. В. Румянцевой. М.: Музей кино, 1999.
- Leperchey Sarah. Alain Resnais: une lecture topologique. Paris - Montréal - Budapest: L'Harmattan, 2000.
- Oms Marcel. Alain Resnais: biographie. Paris: Rivages, 1988.
- Roob Jean-Daniel. Alain Resnais: biographie. Lyon: La Manufacture, 1986.
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