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License Agreement on scientific materials use.
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ICON PAINTING AS WORLD CREATION ACT
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Anna Ivanovna Mukhina
Siberian State University of Telecommunications and Computer Science
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Submitted:
June 10, 2011
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Abstract.
The author considers icon painting technique as the consecutive stages of the world and human beings creation from the orthodox tradition position. All the stages of icon painting are penetrated with the deepest philosophical sense, their pathetic studying allows solving the gnosiological problem of cognition subject and forming steady world-view positions defining the quality and way of life and also directing mankind towards spiritual renewal.
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Key words and phrases:
икона
иконописание
иконописец
канон
«личное» и «доличное» письмо
образ и подобие Бога
онтологическое основание
бытие
символ
лик
лицо
человечество
духовное и материальное
земное
icon
icon painting
icon painter
canon
"image" and "non-image" painting
God's image and likeness
ontological basis
existence
symbol
image
face
mankind
spiritual and material
earthly
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References:
- Архимандрит Рафаил. О языке православной иконы. СПб., 2001. 127 с.
- Библер В. С. От наукоучения к логике культуры. М.: Наука, 1991. 315 с.
- Лосский Н. О. Бог и мировое зло. М.: Прогресс, 1999. 347 с.
- Трубецкой Е. Н. Три очерка о русской иконе. Новосибирск: Сибирь XXI век, 1991. 109 с.
- Феодор Студит. Послание Платону о почитании икон. М., 1993. 83 с.
- Флоренский П. А. Христианство и культура. М.: Фолио, 2001. 672 с.
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