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License Agreement on scientific materials use.
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PRINCIPLES OF METRORHYTHMIC ORGANIZATION IN MUSIC OF AMERICAN COMPOSER STEVE REICH
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Anna Evgen'evna Krom
Nizhnii Novgorod State Conservatory (Academy) named after M. I. Glinka
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Submitted:
July 21, 2012
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Abstract.
The author describes the category of musical time and different ways of its metrorhythmic organization in the works of the American composer and minimalist Steve Reich, shows that under the influence of Eastern philosophy the musician formed the conception of composing as infinite musical process organized by means of repetitive technique, and considers all authorial repetitive techniques that allow drawing conclusions about the role of metrorhythm both in Reich's music pieces and in the practice of American musical minimalism in general.
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Key words and phrases:
Стив Райх
время
метр
ритм
минимализм
паттерн
репетитивная техника
фазовый сдвиг
аугментация
ритмическое конструирование
Steve Reich
time
metre
rhythm
minimalism
pattern
repetitive technique
phase shift
augmentation
rhythmic construction
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References:
- Житомирский Д., Леонтьева О., Мяло К. Западный музыкальный авангард после Второй мировой войны. М.: Музыка, 1989. 367 с.
- Кейдж Д. Музыка должна раскрепощать дух… // Музыкальная жизнь. М., 1988. № 17. С. 22-23.
- Уотс А. Путь Дзэн. Киев: София, 1993. 320 с.
- Хамель П. М. Через музыку к себе. Как мы познаем и воспринимаем музыку. М.: Классика-ХХI, 2007. 248 с.
- Mertens W. American Minimal Music. L.: Kahn and Averill, 1996. 128 р.
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