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License Agreement on scientific materials use.
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STRUCTURE OF PAINTING WORK AS AESTHETIC OBJECT: PHENOMENOLOGICAL ANALYSIS
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Evgeniya Viktorovna Kondrat'eva
National Research Tomsk Polytechnic University
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Submitted:
November 6, 2013
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Abstract.
This article is devoted to the analysis of the conceptions of the leading representatives of phenomenology in aesthetics (N. Hartmann, R. Ingarden, M. Dufrenne) concerning the interpretation of painting work structure as an aesthetic object. The multi-layered structure of picture is considered, as it is one of its key features as an aesthetic object, which provides the richness of meaning and the expression of painting work as a whole. In addition, the comparison of these authors’ ideas about the structure of painting with artistic practice is presented.
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Key words and phrases:
живопись
феноменология
Гартман
Ингарден
Дюфрен
многослойная структура
painting
phenomenology
Hartmann
Ingarden
Dufrenne
multi-layered structure
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References:
- Гартман Н. Эстетика. Киев: Ника-Центр, 2004. 639 с.
- Ингарден Р. Исследования по эстетике. М.: Изд-во иностранной литературы, 1962. 572 с.
- Ханин Д. М. Эстетическая концепция Романа Ингардена и ее анализ в современной эстетике // Вопросы философии. 1984. № 7. С. 111-119.
- Якимович А. К. Двадцатый век. Искусство. Культура. Картина мира: от импрессионизма до классического авангарда. М.: Искусство, 2003. 491 с.
- Dufrenne M. The Phenomenology of Aesthetic Experience. Evanston, 1973. 578 p.
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