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License Agreement on scientific materials use.
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PAINTING WITH FINGER AS REFLECTION OF CHINESE TRADITION SYNTHESIS WITH JAPANESE PAINTING IN IKE NO TAIGA’S CREATIVE WORK (1723-1776)
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Ol'ga Igorevna Cherdakova
St. Petersburg State Academic Institute of Painting, Sculpture and Architecture named after I. E. Repin
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Submitted:
January 21, 2014
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Abstract.
The article is devoted to the peculiarities of painting with finger technique created on the basis of consecutive and systemic hair brush replacement with the artist’s finger that arose in China in the XVII
th century and then became widespread in the Japanese painting of the XVIII
th century. In this article the problem of painting with finger technique formation in the Japanese art is stated for the first time. In the Japanese artist Ike no Taiga’s creative work the establishment, formation and development of this technique are revealed by the example of the scrolls of 1745-1748 period.
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Key words and phrases:
живопись пальцем
китайская живопись
японская живопись
Икэ но Тайга
«бундзинга»
painting with finger
Chinese painting
Japanese painting
Ike no Taiga
“Bunjinga”
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References:
- Пострелова Т. А. Академия живописи в Китае в X-XIII вв. М., 1976. 237 с.
- Соколов-Ремизов С. Н. Гармония мироздания. Японский художник Томиока Тэссай. М.: Прогресс-Традиция, 2005. 247 с.
- Соколов-Ремизов С. Н. Чжихуа − живопись пальцем − как отражение ряда специфических черт китайского менталитета // Искусство Востока. Художественная форма и традиция: сб. статей. СПб., 2004. C. 237-271.
- Fischer F. Kyoko Kinoshita. Ike Taiga and Tokuyama Gyokuran. Japanese Masters of the Brush. Philadelphia: Philadelphia Museum of Art, 2007. 504 p.
- Rathbun W. J. Treasures of Japanese Art. A Thousand Cranes. Seattle: Seattle Art Museum, 1987. 239 p.
- Sullivan M. The Meeting of Eastern and Western Art. London: University of California Press, 1989. 306 p.
- Takeuchi M. Taiga’s True Views. The Language of Landscape Painting in Eighteenth-Century Japan. California: Stanford University Press, 1992. 211 p.
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