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License Agreement on scientific materials use.
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POST-MODERNIST CONTENTS IN ACADEMIC AND LIGHT MUSIC OF THE FIRST HALF OF THE xx
TH CENTURY
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Fedor Mikhailovich Shak
Krasnodar State University of Culture and Arts
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Submitted:
February 11, 2014
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Abstract.
The authors of modern art researches exaggerate the methodological significance of post-modernist principles and conceptions. As a result absolutely different types of elite and mass music are labeled as post-modernistic. The author of the article moderately criticizes the opinions of the researchers interpreting the creative work of the composers А. Berg, R. Graettinger, D. Ellington in post-modernistic perspective. R. Shleifer’s theories are independently considered, who analyzes the American mass song of 1930-1940 from the position of its belonging to modernist art.
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Key words and phrases:
постмодернизм
модернизм
авангард
атональность, элитарная культура
массовая музыка
популярная музыка
джаз
эстрада
музыкальная критика
свинг
стилистика
postmodernism
modernism
avant-garde
atonality, elite culture
mass music
popular music
jazz
variety
musical criticism
swing
stylistics
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References:
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- Фидлер Л. Пересекайте границы, засыпайте рвы // Современная западная культурология: самоубийство дискурса. М., 1993. С. 462-518.
- Gagne N. Historical Dictionary of Modern and Contemporary Classical Music. Scarecrow Press, 2012. 368 p.
- Joseph С. Stravinsky. Inside Out. Yale University, 2001. 320 p.
- Levis D. Robert F. Graettinger. Artist Biography [Электронный ресурс]. URL: http://www.allmusic.com/artist/robert-f-graettinger-mn0002190189 (дата обращения: 25.08.2013).
- Shleifer R. Modernism and Popular Music. Cambridge University Press, 2011. 254 p.
- Shuller G. Аннотация к CD-диску «City of Glass». Blue Note Records. 1995. 7 p.
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