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License Agreement on scientific materials use.
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CARL CZERNY AS INNOVATOR OF PIANO DUET GENRE
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Aleksandr Evgen'evich Kulikov
Moscow State Conservatory named after P. I. Tchaikovsky
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Submitted:
March 1, 2015
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Abstract.
In the article the creativity of Carl Czerny in the genre of piano ensemble is considered in the wide context of the history of the clavier music of the XVIII-XIX centuries. Special attention is drawn to four-handed sonatas for piano. The author analyzes the innovation of the composer in the style of piano duet, gives the artistic and aesthetic estimation of the works, and determines the place of sonatas in the history of piano duet genre. Issues connected with the interpretation of the considered works are studied.
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Key words and phrases:
Черни
фортепианный ансамбль
фортепианный дуэт
соната
фортепианная фактура
история фортепианной музыки
Czerny
piano ensemble
piano duet
sonata
piano style
history of piano music
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References:
- Айзенштадт С. А. Учитель музыки. Жизнь и творчество Карла Черни. М.: Композитор, 2010. 216 с.
- Куликов А. Е. Первая фортепианная соната ор. 7 Карла Черни: между классицизмом и романтизмом // Музыкальная академия. 2013. № 3. С. 155-159.
- Сорокина Е. Г. Фортепианный дуэт. История жанра: исследование. М.: Музыка, 1988. 319 с.
- Kuerti A. Carl Czerny, Composer // Beyond “The Art of Finger Dexterity”: Reassessing Carl Czerny / ed. by D. Gramit. Rochester: Univ. of Rochester Press, 2008. P. 139-144.
- McGrow C. Piano Duet Repertoire. Music, Originally Written for One Piano, Four Hands. Bloomington: Indiana University Press, 1981. 334 p.
- Rummenhoeler P. „…um der Idee die gehoerige Energie und Vollstimmigkeit zu geben“. Zur vierhandigen Klaviermusik von Сarl Czerny // Carl Czerny: Komponist, Pianist, Pädagoge / hrsg. von H. von Loesch. Mainz: Schott, 2010. S. 243-249.
- Wehmeyer G. Carl Czerny und die Eisenhalt am Klavier oder die Kunst der Fingerfertigkeit und die industrielle Arbeitsideologie. Zürich: Bärenreiter; Atlantis, 1983. 228 S.
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