Pan-Art Pedagogy. Theory & Practice Philology. Theory & Practice Manuscript

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ISSUE:    Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Theory & Practice. 2015. Issue 7-2
COLLECTION:    Art Criticism

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CREATIVE METHODS OF “UNION OF RUSSIAN ARTISTS” BY THE EXAMPLE OF THE ANALYSIS OF P. I. PETROVICHEV’S PICTURE “MARCH” (1917-1919)

Natal'ya Alekseevna Grushevskaya
Ilya Glazunov Russian Academy of Painting, Sculpture and Architecture


Submitted: June 10, 2015
Abstract. The article deals with the painting technique, creative principles and pictorial and world outlook qualities of P. I. Petrovichev. The influence of the specific pedagogic advice of I. I. Levitan on P. I. Petrovichev’s principles of painting is ascertained, continuity in the painting methods of the latter regarding the former is traced, and the features of innovation in P. I. Petrovichev’s approach to painting are stated. The author uses the method of the visual analysis of the works as she has skills of the professional graduated easel painter.
Key words and phrases:
техника живописи
творческие принципы
живопись
преемственность
П. И. Петровичев
Союз русских художников
painting technique
creative principles
painting
continuity
P. I. Petrovichev
Union of Russian Artists
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References:
  1. Круглый И. А. Пётр Иванович Петровичев. Л.: Художник РСФСР, 1975. 148 с.
  2. Лапшин В. П. Союз русских художников. Л.: Художник РСФСР, 1974. 424 с.
  3. Левитан И. И. Письма, документы, воспоминания / общ. ред. А. Фёдорова-Давыдова. М.: Искусство, 1956. 336 с.
  4. Мастера советского изобразительного искусства. Произведения и автобиографические очерки / сост. П. М. Сысоев, В. А. Шквариков. М.: Искусство, 1951. 604 с.
  5. Руднев В. В. Пётр Иванович Петровичев. О жизни и творчестве художника. М.: Изобразительное искусство, 1979. 114 с.
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