License Agreement on scientific materials use.
|
PROBLEMS OF APPROPRIATION: SIGNIFICANCE OF AESTHETICS OF MASS CULTURE AND IMAGES OF ADVERTISING IN JEFF KOONS’S ART
|
Nataliya Vladimirovna Shchetinina
Saint Petersburg State University
|
Submitted:
September 1, 2015
|
Abstract.
The article deals with the significance of the aesthetics of mass culture and the images of advertising in the creativity of Jeff Koons. The scientific novelty of the work is in the identification and analysis of J. Koons’s strategy on the creation of the universal language understood by general audience, in which the images of art history are re-formulated. The author proposes to shift the emphasis from the critical component of appropriation that is typical for the existing researches to the problem of the interpretation of art works, which are created by means of the appropriation of the images of mass culture and advertising.
|
Key words and phrases:
апроприация
Джефф Кунс
массовая культура
реклама
современное искусство
эстетика
appropriation
Jeff Koons
mass culture
advertising
modern art
aesthetics
|
|
Open
the whole article in PDF format. Free PDF-files viewer can be downloaded here.
|
|
References:
- Барт Р. Система моды. Статьи по семиотике культуры. М.: Издательство им. Сабашниковых, 2003. 512 с.
- Бодрийяр Ж. Система вещей. М.: Рудомино, 2001. 220 с.
- Краусс Р. Подлинность авангарда и другие модернистские мифы. М.: Художественный журнал, 2003. 318 с.
- Рыков А. В. Искусство модернизма: основные принципы // Вестник Санкт-Петербургского университета. Сер. 2. 2011. Вып. 4. С. 51-57.
- Baudrillard J. The Conspiracy of Art. Cambridge, MA: The MIT Press, 2005. 232 p.
- Buchloh B. H. D. After Laughter // October. 2009. Vol. 129. P. 13-50.
- Buchloh B. H. D. Drawing Blanks: Notes on Andy Warhol’s Late Works // October. 2009. Vol. 127. P. 3-24.
- Buskirk M. Commodification as Censor // October. 1992. Vol. 60. P. 82-109.
- Crow T. The Absconded Subject of Pop // RES: Anthropology and Aesthetics. 2009. № 55-56. P. 5-20.
- Foster H. At the Whitney // London Review of Books. 2014. Vol. 36. № 15. P. 22-23.
- Foster H. Return of the Real: The Avant-Garde at the End of the Century. Cambridge, MA: The MIT Press, 1996. 299 p.
- Jameson F. Postmodernism, or The Cultural Logic of Late Capitalism. Durham: Duke University Press, 1991. 438 p.
- Krauss R., Hollier D. and others. The Reception of the Sixties // October. 1994. Vol. 69. P. 3-21.
- McLuhan M. Understanding Media. N. Y.: Routledge Classics, 2001. 394 p.
- Pearlman A. Unpackaging Art of the 1980s. Chicago: University of Chicago Press, 2003. 230 p.
- Rondeau J. Woman in Tub // Art Institute of Chicago Museum Studies. 2008. Vol. 34. № 1. P. 44-45.
- Schneider E., Siegel K., Sischy I. Jeff Koons. Cologne: Taschen, 2009. 592 p.
|
|