|
License Agreement on scientific materials use.
|
“WHAT IS CINEMA?”: MEDIA ESSENTIALISM PROBLEM IN NOEL CARROLL’S THEORY
|
Darina Aleksandrovna Polikarpova
Saint Petersburg University
|
|
Submitted:
June 1, 2017
|
|
Abstract.
From the early 1990s Noel Carroll, who proposed an alternative solution of the problem “What is cinema?”, became one of the key figures of American philosophy of art. Carroll’s interpretation of the main conceptions appears to be in tune with two opposite approaches - anti-essentialism of the second half of the 1950s and media essentialism of the early cinema theory. Carroll’s alternative view involves a suggestion to stop debates on cinema essence and come to studying its components.
|
Key words and phrases:
эстетика
кинотеория
эссенциализм
пост-теория
Кэрролл
esthetics
cinema theory
essentialism
post-theory
Carroll
|
|
Open
the whole article in PDF format. Free PDF-files viewer can be downloaded here.
|
|
References:
- Базен А. Что такое кино? М.: Искусство, 1972. 384 с.
- Вейц М. Роль теории в эстетике // Американская философия искусства: антология. Екатеринбург: Деловая книга; Бишкек: Одиссей, 1997. С. 43-60.
- Дики Д. Определяя искусство // Американская философия искусства: антология. Екатеринбург: Деловая книга; Бишкек: Одиссей, 1997. С. 243-252.
- Кенник В. Основывается ли традиционная эстетика на ошибке? // Американская философия искусства: антология. Екатеринбург: Деловая книга; Бишкек: Одиссей, 1997. С. 87-112.
- Arnheim R. Film as Art. University of California Press, 1957. 230 p.
- Carroll N. Beyond Aesthetics. Cambridge University Press, 2001. 468 p.
- Carroll N. Philosophical Problems of Classical Film-Theory. Princeton University Press, 1988. 273 p.
- Carroll N. Philosophy of Art. Routledge, 1999. 288 p.
- Carroll N. The Philosophy of Motion Pictures. Wiley-Blackwell Publishing, 2007. 256 p.
- Carroll N. Theorizing the Moving Image. Cambridge University Press, 1996. 452 p.
- Perkins V. F. Film as Film. L.: Penguin Books, 1986. 198 p.
|
|
