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License Agreement on scientific materials use.
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MIECZYSŁAW WEINBERG’S OPERAS ON MOSCOW STAGES: FROM IDEA TO INTERPRETATION
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Evgeniya Georgievna Artemova
Moscow City University
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Submitted:
August 1, 2017
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Abstract.
In the article the analysis of new stage interpretations of the operas by the Soviet and Russian composer Mieczysław Weinberg “The Passenger” and “The Idiot” first presented on the stage of the Bolshoi Theatre and Kolobov Novaya Opera Theatre of Moscow in 2017 is conducted. They are the first (“The Passenger”) and the last (“The Idiot”) out of seven operas by Weinberg, whose opera works are little studied. The author focuses on originality of staging decisions in revelation of the composer’s ideas.
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Key words and phrases:
Мечислав Вайнберг
оперы
«Пассажирка»
«Идиот»
Большой театр
театр «Новая опера»
постановка
интерпретация
Mieczysław Weinberg
operas
“The Passenger”
“The Idiot”
Bolshoi Theatre
Novaya Opera Theatre
staging
interpretation
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References:
- Артемова Е. Г. Столичные оперные премьеры // Музыкальная академия. 2013. № 1. С. 90-96.
- Моисей (Мечислав) Вайнберг [Электронный ресурс]. URL: http://world.lib.ru/g/gorfinkelx_a/gorfinkelx22332.shtml (дата обращения: 14.06.2017).
- Опера Вайнберга «Идиот» [Электронный ресурс]. URL: http://www.belcanto.ru/opera_idiot.html (дата обращения: 14.06.2017).
- Fanning D. Mieczyslaw Weinberg: in Search of Freedom. Wolke Verlagsges, 2010. 124 p.
- Gwizdalanka D. Mieczysław Wajnberg: Kompozytor z trzech światów. Poznań, 2013. 104 s.
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