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License Agreement on scientific materials use.
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BOWINGS AS THE BASIC PERFORMING TECHNIQUE OF PIANIST-ACCOMPANIST IN INSTRUMENTAL ENSEMBLE
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Retracted:
January 11, 2021
The article is retracted on the author's request.
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Vitalii Valer'evich Kalitskii
Russian State Academy of Arts for Special Needs Students
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Submitted:
December 1, 2017
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Abstract.
The article considers the variety of pianist-accompanist’s bowing techniques and the ways to develop them. The paper emphasizes insufficient attention of concertmasters to this problem which causes significant loses in the artistic implementation of musical compositions and often distorts their meaning. The author concludes that pianists should conduct a detailed study of the peculiarities of bowing techniques of different instruments and the specificity of using bowings in composer’s creative work.
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Key words and phrases:
концертмейстер
штрихи
инструментальный ансамбль
интерпретация
художественное единство
concertmaster
bowings
instrumental ensemble
interpretation
artistic integrity
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References:
- Асафьев Б. О симфонической и камерной музыке. Л.: Музыка; Ленинград. отд., 1981. 216 с.
- Калицкий В. В. Функциональная дифференциация профессий «концертмейстер» и «аккомпаниатор» // Обсерватория культуры. 2016. Т. 13. № 4. С. 480-484.
- Фридерик Шопен. Статьи и исследования советских музыковедов. М.: Музгиз, 1960. 412 с.
- Шаборкина Т. Заметки о Скрябине-исполнителе // А. Н. Скрябин. 1915-1940: сборник к 25-летию со дня смерти. М. - Л., 1940. С. 39-75.
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